Pop Culture

Super Sharp Exhibition Explores Italian Fashion In The Underground Music Scene.

Super Sharp explores the appropriation of Italian designer brands in the underground music scenes of Jungle and UK Garage. Versace, Moschino, Iceberg and D&G are examples of labels that ruled the dance floor in the nineties. Moschino, in particular, became synonymous with the look associated with that era. This exhibition draws from an extensive archive amassed by DJ and producer Saul Milton, which also forms the core of the wider series of exhibitions RTRN II JUNGLE.

Image from the Super Sharp exhibition. Courtesy photo

Recently, there has been a revival of interest in the music, style and culture of that time. Even though Jungle and UK Garage took place before the emergence of the Internet, their history is extensively documented online. However, the overlap between their style and the various times there was a revived interest in the music, has meant that a blurry nostalgic image of the time has emerged.

Image from the Super Sharp exhibition. Courtesy photo

This exhibition attempts to address this by highlighting the voices of people who were actually there at the time, such as Goldie, Fabio & Grooverider, Bushkin, Skibadee, Navigator and PJ & Smiley, Jumpin’ Jack Frost and MC Nyke. Their personal memories shed light on why designer clothing was first embraced by Jungle ravers and then made famous by UK Garage. By combining the music, testimonials and the original garments, it reveals why high-end Italian labels were so important to the cultural and style history of both genres.

Image from the Super Sharp exhibition. Courtesy photo

Super Sharp and the wider series RTRN II JUNGLE  are curated by Tory Turk and was jointly conceived with Saul Milton, graphic design by Lucy May Design. Super Sharp is the first installment in the RTRN II JUNGLE exhibition series.

Super Sharp Private View
6:30 – 9pm
Wednesday 31 January 2018

Fashion Space Gallery
London College of Fashion
20 John Prince’s Street
W1G 0BJ

Photograph by Mark Alesky

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